Rhiannon Giddens's take on "Black Is the Color," from her forthcoming solo debut album, Tomorrow Is My Turn, is featured on NPR Music's Songs We Love. On the new album, "Giddens takes songs strongly linked to iconic female performers ... and somehow comes out owning them," says World Cafe host David Dye. On "Black Is the Color," often linked to Nina Simone, "Giddens celebrates and soars. She's confident in her instincts and her abundant talent, and she should be."

Paul Thomas Anderson's new film, Inherent Vice, opens in theaters across the US today. An adaptation of the Thomas Pynchon novel of the same name, Inherent Vice is set in the tail end of the psychedelic ’60s and stars Oscar nominees Joaquin Phoenix, Josh Brolin, and Owen Wilson. The Telegraph calls it "dazzling ... stupendous: as antic as Boogie Nights and Punch-Drunk Love, but with The Master and There Will Be Blood’s uncanny feel for the swell and ebb of history." The film's soundtrack, with music by Jonny Greenwood, Neil Young, Can, and more, is out now. "Paul Thomas Anderson’s films have great soundtracks," says the Daily Mail in a five-star review, and Inherent Vice "is no exception."

London-based singer-songwriter Olivia Chaney, who is currently touring Australia, will soon take the tour to North America. Chaney will visit select cities in the US and Canada in advance of the release of her Nonesuch Records debut album, starting at the World Café Live in Philadelphia on February 4, followed by stops in New York City, Brooklyn, Cambridge, Toronto, Chicago, Minneapolis, Seattle, and Los Angeles. Stay tuned for details of Olivia Chaney’s forthcoming Nonesuch Records debut album and pre-order information coming soon.

The much-lauded film Boyhood was the focus of a TimesTalks conversation earlier this week. Filmmaker Richard Linklater and cast members Ethan Hawke and Ellar Coltrane spoke with New York Times reporter Cara Buckley about the unique project; you can watch the discussion here. Linklater is also the guest on the latest episode of WTF with Marc Maron. He talks with Maron about Boyhood and number of his other films.

Pianist Tigran Hamasyan, whose new album, Mockroot, is due soon, is among the "Musicians You'll Tell Your Friends About in 2015," according to NPR Music's Ann Powers. Hamasyan's "startling combinations of jazz, minimalist, electronic, folk and songwriterly elements ... beckon listeners with a magical kind of openness," she says. "On Mockroot, his Nonesuch debut, Hamasyan and his collaborators travel musical expanses marked with heavy grooves, ethereal voices, pristine piano playing and ancient melodies." Powers concludes: "You'll hear nothing else like this album in 2015."

Rhiannon Giddens is among the artists "poised to breakout this year" according to the Wall Street Journal Speakeasy's list of "2015's Next Big Things: 8 Music Acts to Watch." After she "stole the show" at the 2013 concert celebrating the music of Inside Llewyn Davis (the album due next week) and "was out front of some of the best tracks" on last year's New Basement Tapes album, says the Wall Street Journal, comes her solo album, Tomorrow Is My Turn, next month, "in which she covers American icons like Patsy Cline, Libba Cotten, Odetta, and Dolly Parton. The thought of her classic takes on classic musicians has us salivating."

The 2015 line-up for the Governors Ball Music Festival has been announced, including a headline set from The Black Keys and performances from Conor Oberst and Björk. The Governors Ball will take place on Randall's Island in New York City from June 5 to 7. Tickets go on sale this Friday, January 9. 

Showtime has begun to air encore presentations of the concert documentary Another Day, Another Time: Celebrating the Music of "Inside Llewyn Davis" on its various channels, as well as on demand and via Showtime Anytime. On Tuesday, January 13, Nonesuch Records will release a live recording of the one-night-only concert, featuring live performances by icons and rising stars of folk and Americana. The concert was presented by T Bone Burnett and Joel and Ethan Coen at New York City’s Town Hall to celebrate the music of the new Coen brothers film, Inside Llewyn Davis. 

Richard Linklater's critically acclaimed film Boyhood, released last year on IFC Films, is now available on Blu-ray and DVD. The film, which MetaCritic names the best-reviewed movie of 2014 with a perfect score of 100, received three New York Film Critics Circle Awards, including Best Film, last night. It has been nominated for five Golden Globe Awards, including Best Picture. The film’s soundtrack, which spans the story’s 12 years, is available on Nonesuch Records.

Filmmaker Paul Thomas Anderson is on the latest episode of WTF with Marc Maron. He talks with Maron about his life and all of his films, including his latest, Inherent Vice, which expands to additional US theaters this weekend. Nonesuch Records released Jonny Greenwood’s soundtrack to Inherent Vice in December and has released their previous collaborations, There Will Be Blood and The Master, as well as Jon Brion's soundtrack for Anderson’s Punch-Drunk Love. Tune in to WTF on Thursday for Maron's interview with Boyhood director Richard Linklater.

Nickel Creek helped kick off the second half of the milestone 40th season of Austin City Limits when the band's set aired on PBS this past weekend, on a double bill with The Avett Brothers. You can watch the episode at pbs.org. Nickel Creek—Chris Thile, Sara Watkins, and Sean Watkins—taped its Austin City Limits set in August during the band's 25th anniversary tour, celebrating the release of its Nonesuch Records debut album, A Dotted Line. This was the trio's third appearance on the series. 

As 2014 draws to a close, and the Nonesuch Journal takes a bit of a hiatus till the start of 2015, it's time to take a look back and remember all of the great and diverse music made by Nonesuch artists over the past year—a year in which we marked our 50th anniversary. Many Nonesuch artists and their recent Nonesuch releases have made music critics' and fans' year-end best lists in 2014. Here, in words and music and in chronological order, is a look back at the year in Nonesuch music.