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    A visualizer for “The Light,” from multi-instrumentalist, producer, and composer Yussef Dayes' debut solo album, Black Classical Music. The track “celebrates the birth of my daughter Bahia,” says Dayes. “Born in February 2020, just before the whirlwind of Covid, a beautiful light came into my life. 2020 turned out to be one of the most special times in my life. Becoming a father to my beautiful princess Bahia, being able to take time from touring and nurture my family at home was something I’ll cherish forever. ‘The Light’ is a Dayes lullaby song. The sweet harpsichord is a sound that Bahia was captivated by, although it was also a song she fell asleep too. An ode to Stevie Wonder’s ‘Isn’t She Lovely,’ I wanted to add Bahia’s voice from footage & voice notes I’ve recorded over the last few years since her birth. Bahia introduces the song and shares her positive affirmations with her mum; something she can’t go to sleep without doing now. Thank you to Rocco Palladino on bass, Charlie Stacey on harpsichord and keys, Miles James on guitar and production, recorded by Christoph Skirl at Echo Zoo studios, Rory Cashmere on co-production & Russell Elevado on the beautiful mix. Love.”


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    Yussef Dayes shares an animated video for his single “Rust,” featuring longtime collaborator and friend Tom Misch, from his debut solo album, Black Classical Music, directed by Jack Brown. “It felt really special to work with Yussef and Tom again to make the third installment of our animation saga and extra special to do it for Yussef's incredible debut album,” Brown says. “I wanted to expand the world of 'Nightrider' and 'Tidal Wave' [from their previous collaborations] by bringing it into a 3D space while maintaining the classic 2D feel. This was made possible by the big brain, super talented Richard Noble, who built these landscapes from my silly sketches.”


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    The video for the title track to Yussef Dayes' debut solo studio album, Black Classical Music, is directed by Barka and edited by Mdhamiri A Nkemi. “What is jazz,” Dayes asks. “Where did the word derive from? Birthed in New Orleans, born in the belly of the Mississippi River, rooted in the gumbo pot of the Caribbean, South American culture, and African rituals. Continuing a lineage of Miles Davis, Rahssan Roland Kirk, Nina Simone, John Coltrane, Louis Armstrong—music that is forever evolving and limitless in its potential. The groove, its feeling, the compositions, the spontaneity, with a love for family, the discipline and dedication in maintaining the very high bar set by the pantheon of Black Classical Musicians. Chasing the rhythm of drums that imitated one's heartbeat, the melodies for the mind and spirit, the bass for the core. A Regal sound for this body of music.”


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