Nonesuch releases Philip Glass’s award-winning soundtrack to The Hours on vinyl for the first time on September 30 to coincide with its 20th anniversary and Glass’ 85th birthday concert season. Originally released in December 2002, Glass’s score to the Academy Award–winning film was itself nominated for an Academy Award, as well as a Golden Globe and a Grammy, and went on to win a BAFTA and a Classical BRIT. Based on Michael Cunningham’s 1999 Pulitzer Prize–winning novel, the film was directed by Stephen Daldry with a screenplay by David Hare and stars Meryl Streep, Julianne Moore, and Nicole Kidman. “Was there ever a more perfect film for Glass’s lyrical manner?” asked Gramophone. “Such a feeling of fragile beauty is a rare achievement.”

The forty-disc John Adams Collected Works, a box set of recordings spanning more than four decades of the composer’s career with the label, is out now on Nonesuch. It includes two extensive booklets with new essays and notes by Timo Andres, Julia Bullock, Robert Hurwitz, Nico Muhly, and Jake Wilder-Smith. You can take a look inside in an unboxing video here. Since 1985, when Adams signed exclusively to Nonesuch, the label has released forty-two first recordings and thirty-one all-Adams albums. Collected Works includes thirty-five discs of Nonesuch recordings and five from other labels.

In These Times, the new album by percussionist, producer, and composer Makaya McCraven, is due September 23. It has been in process since 2015 and is the album McCraven’s been trying to make since he started making records, an appropriately career-defining body of work. The eleven-song suite was created over seven-plus years, as McCraven strived to fuse odd-meter compositions from his working songbook with orchestral, large-ensemble arrangements and the edit-heavy “organic beat music” he’s honed over the years. With contributions from over a dozen musicians and creative partners from his tight-knit circle of collaborators—including Jeff Parker, Junius Paul, Brandee Younger, Joel Ross, and Marquis Hill—In These Times highlights McCraven’s unique gift for collapsing space, destroying borders, and blending past, present, and future into poly-textural arrangements of post-genre, jazz-rooted 21st-century folk music.

Brad Mehldau’s new album, Jacob’s Ladder, first released on CD and digital in March, is now available in a double vinyl set. The album features new music that reflects on scripture and the search for God through music inspired by the prog rock he loved as a young adolescent—his gateway to the fusion that eventually led to his discovery of jazz. Featured musicians on the album include label mates Chris Thile and Cécile McLorin Salvant, as well as Mark Guiliana, Becca Stevens, Joel Frahm, and others. Mojo calls it "a kaleidoscopic affair, where baroque prog-rock edifices are juxtaposed with clouds of ethereal choirs, dreamy piano interludes, and squalls of free jazz-style clarinet. Skillfully weaving these elements into storytelling sound collages, Mehldau takes the listener on a memorable musical journey."

Nonesuch Records releases the first recording of Steve Reich’s Reich/Richter, performed by Ensemble intercontemporain and conducted by George Jackson, on CD and digital today, with the vinyl due August 5. The composition was originally written to be performed with German visual artist Gerhard Richter and Corinna Belz’s film Moving Picture (946-3). A video of the composer talking about Reich/Richter may be seen here.

Ahead of the long-awaited world premiere of Omar, the opera composed by Rhiannon Giddens and Michael Abels, at the Spoleto Festival USA in Charleston, SC, next Friday, Giddens has released her own recording of the song “Julie’s Aria” from the opera. The recording was made by Giddens with guitarist Bill Frisell and her frequent collaborator Francesco Turrisi. Omar is based on the life and autobiography of enslaved Muslim scholar Omar Ibn Said, who was forcefully brought to Charleston from Africa in 1807. “My work as a whole is about excavating and shining a light on pieces of history that not only need to be seen and heard," Giddens says, "but that can also add to the conversation about what’s going on now. This is a story that hasn’t been represented in the operatic world—or in any world.” Omar will also be performed by LA Opera, Lyric Opera of Chicago, Boston Lyric Opera, San Francisco Opera, and Carolina Performing Arts at the University of North Carolina Chapel Hill.

The Black Keys’ eleventh studio album, Dropout Boogie, is out now. “Some of the stickiest alt-boogie of their career,” says Rolling Stone. “Still raw, fast and loose,” adds the Associated Press. Classic Rock magazine exclaims: “Rock'n'roll in 2022 doesn't get any better than this.” The band was on Jimmy Kimmel Live! to perform the tracks “It Ain’t Over” and “Wild Child"; you can watch both here. The Black Keys will tour North America for the first time in three years starting in July. The band will take part in an iHeart Radio album release party tonight.

Guitarist/composer Mary Halvorson makes her Nonesuch debut with two albums, Amaryllis and Belladonna, out now. The two suites come in a two-LP vinyl set or as two separate CDs and digital albums, produced and mixed by John Dieterich. "These are new landmarks in Halvorson’s already inimitable discography," exclaims the Guardian in a five-star, Jazz Album of the Month review. Amaryllis is a six-song suite performed by a newly formed sextet of master improvisers; the Mivos string quartet joins for three of the songs, making this the largest ensemble for which Halvorson has written to date; you can watch a new video for the title track here. Belladonna is a set of five compositions written for Halvorson on guitar plus the Mivos Quartet, whose parts are through-composed and augmented by Halvorson’s guitar improvisations. They celebrate the albums’ release with performances of the two suites in Brooklyn, New Hampshire, and Quebec next week.

Molly Tuttle and Golden Highway’s new album, Crooked Tree, is now on vinyl, following its recent release on CD and digital. The album, recorded live in Nashville, was produced by Tuttle and Jerry Douglas and features collaborations with Sierra Hull, Old Crow Medicine Show, Margo Price, Billy Strings, Dan Tyminski, and Gillian Welch. The tracks, all written or co-written by Tuttle, explore her lifelong love of bluegrass. "Molly Tuttle's fingers move so quickly, she could pick your pocket without breaking stride," says the New York Times. NPR calls it "dashingly virtuosic." It "feels like the album Molly Tuttle was destined to make," says Uncut. You can watch the new video for the album track "Flatland Girl," featuring Margo Price, and get tickets for Tuttle and the band's tour here.

A three-LP/CD box set of albums from the great Argentine composer, bandleader, and bandoneón player Astor Piazzolla originally released by American Clavé Records in the 1980s later reissued by Nonesuch is out now. Astor Piazzolla: The American Clavé Recordings marks the first time this landmark trio of albums—Tango: Zero Hour, La Camorra, and The Rough Dancer and the Cyclical Night (Tango Apasionado)—is available as a set, now remastered, and the first time the albums have been available on vinyl since their initial American Clavé release. The set features original and new notes by the albums' producer and American Clavé founder Kip Hanrahan and an essay from journalist Fernando González. Uncut exclaims: "On its own, each album makes a fine introduction to Piazzolla's music, but together, they comprise a monumental contribution to world music."

Pianist and composer Tigran Hamasyan’s StandArt—his first album of American standards—is out now. StandArt includes songs from the 1920s through the 1950s, by Richard Rodgers, Charlie Parker, Jerome Kern, David Raksin, and others; it also includes a piece Hamasyan improvised with his bandmates—bassist Matt Brewer and drummer Justin Brown—and trumpeter Ambrose Akinmusire. Other special guests include saxophonists Joshua Redman and Mark Turner. Hamasyan tours Europe in May and the US in June.

Nearly sixty years after they first played together, Ry Cooder and Taj Mahal, longtime friends and collaborators, reunite with an album of music from two Piedmont blues masters who have inspired them all their lives: GET ON BOARD: THE SONGS OF SONNY TERRY & BROWNIE MCGHEE, out today on Nonesuch Records. With Taj Mahal on vocals, harmonica, guitar, and piano and Cooder on vocals, guitar, mandolin, and banjo—joined by Joachim Cooder on drums and bass—the duo recorded eleven songs drawn from recordings and live performances by Terry and McGhee, who they both first heard as teenagers in California. Also out today is a video them performing the song "Cornbread, Peas, Black Molasses," which you can watch here.