Jonny Greenwood's Popcorn Superhet Receiver will receive its West Coast premiere tonight at San Francisco's Herbst Theatre. The composer included excerpts from the piece in his score for the Oscar-winning film There Will Be Blood, which you can listen to here. Tonight's concert also marks the San Francisco debut of New York's Wordless Music Series (helmed by Nonesuch's own Ronen Givony), which is presenting the concert and which gave the piece's US premiere in New York earlier this year.

Bill Frisell joined trumpeter Ron Miles's quartet last week for a three-night residency at the Jazz Standard in New York City that New York Times jazz critic Nate Chinen says "confirmed the strength of their rapport," showcasing a partnership that goes "beyond sensitivity or even shared intuition." The pair's recording history includes Bill's latest Nonesuch release, History, Mystery. Bill performs again in the City in early September for a two-week residency at the Village Vanguard with Paul Motian and Joe Lovano. 

Wilco continues its US summer tour through the end of this week, playing its final Stateside gig of the tour at the Outside Lands Music and Arts Festival in San Francisco's Golden Gate Park on Sunday. This past Monday, Wilco performed at the Red Butte Garden, which the Salt Lake Tribune calls "one of the best—if not the best—show of the summer." The band has also announced a string of dates this December supporting rocker Neil Young in Canada and the US.

Last week, Chris Thile joined Edgar Meyer for the bassist's annual Aspen Music Festival recital. The Aspen Times describes Meyer's playing as the sort that leads his fellow bass players to "just blink in wonder" and Thile as "a mandolin player with similarly amazing chops." The concert, which included several songs from the duo's debut album, out on Nonesuch next month, featured "several incandescent moments," reads the review, "when the two musicians’ technical skill and musical inventiveness combined to produce something unique."

Here is our weekly list of just some of the many events going on across the globe this weekend featuring Nonesuch artists ...

It was a remarkable week for Wilco shows, with two stand-outs coming from nearly three-hour sets each at Tanglewood in Lenox, Massachusetts, on Tuesday, and Brooklyn's McCarren Park Pool the following night. The Boston Globe says the crowd at Tanglewood witnessed "a pitch-perfect tangle of earthy comforts and perilous adventure, during a stellar set from the planet's most radical roots band ... a phenomenally dynamic machine." The New York Press says the Brooklyn set showed that the band's evolution from alt.country pioneers "has brought us one of the best rock bands alive today."

Chris Thile and Edgar Meyer will preview their forthcoming, self-titled debut duo album tonight in a special concert at the Aspen Music Festival. On the record, due out September 23 and available now for pre-order in the Nonesuch Store, are 12 original songs by the two musicians. There's also a deluxe version that includes a 50-minute DVD with performances, rehearsals, and behind-the-scenes footage with Edgar and Chris. The Aspen Times says Chris's first Nonesuch record, Punch, with the Punch Brothers, takes "acoustic music to an appreciably higher level."

Dawn Upshaw begins a three-show run of performances at Lincoln Center of the US premiere of composer Kaija Saariaho's La Passion de Simone, an oratorio written for Upshaw based on the life of French French philosopher Simone Weil. The production, directed by Peter Sellars, is part of the Mostly Mozart Festival and includes Mostly Mozart debuts for the composer, dancer Michael Schumacher, the City of Birmingham Symphony Orchestra, and the London Voices vocal ensemble. The Independent (UK) calls the work a “magical union of words, music, and theater.”

Kronos Quartet returns to Tanglewood this Thursday, coincidentally just two days after label mates Wilco. Highlights of the program include works by Sigur Rós, John Zorn, and Steve Reich. The Boston Globe's David Weininger spoke with Kronos's David Harrington about the Quartet's vital role in the creation of new music and asserts: "They essentially created their own avant-garde." Weininger concludes: "Harrington's musical curiosity remains undimmed after 35 years."

After performing at the Virgin Mobile Fest in Baltimore this weekend, Wilco gears up for its performance at Tanglewood in Western Massachusetts tomorrow night. The Daily Gazette out of Schnectady, New York, more than an hour away, says "Wilco is worth the trip." Next to a sold-out show at Brooklyn's McCarren Park Pool. With all the travel, Wilco is also making an effort to reduce its environmental impact with a new ride-sharing initiative. Also, label mate David Byrne has his own ideas for reducing congestion, promoting bike use.

The Black Keys spent the weekend at two of the summer's biggest festivals: the inaugural New American Music Union festival in Pittsburgh on Friday and the Virgin Mobile Fest in Baltimore on Sunday, with a stop at The NorVa in Norfolk, Virginia, in between. The Western Pennsylvania press coverage of Friday's event calls attention to the "pulverizing, purifying guitar blast blues riff from the Black Keys." Brooklyn Vegan also has dozens of great pics from the preceding night's show at Brooklyn's McCarren Park Pool.

Earlier this month, Youssou N'Dour performed at The Kennedy Center in Washington, DC, as part of the Africa Rising festival, along with John Legend and Jay-Z. Rolling Stone called his "a stirring performance," and the Washington Post says he "turned in the festival's most riveting performance, a 25-minute set filled with deeply soulful vocals sung in multiple languages over insistent, syncopated African rhythmic patterns and the night's funkiest drum breaks."