Ry Cooder's monthlong tour with Nick Lowe through Japan, New Zealand, and Australia came to a close last night in Perth. The Age, in its review of the Melbourne show, describes Cooder as "the slide-guitar messiah." The Sydney Morning Herald reports from the Sydney set that his "guitar playing was of subtle beauty and effortlessness. Elegance and class all round on stage, actually." Cooder performs next as a guest of The Chieftans at Glasgow's Celtic Connections festival in January.

West Coast, Left Coast, the Los Angeles Philharmonic's festival curated by John Adams, continues tonight with the composer and Kronos Quartet performing California-inspired music at Walt Disney Concert Hall. Adams will lead the Los Angeles Philharmonic New Music Group in performances of Ingram Marshall's Fog Tropes and selections from Frank Zappa's Yellow Shark; Kronos performs Harry Partch's U.S. Highball.

When Joshua Redman joined Brad Mehldau for a duo set at London's Wigmore Hall last month, the Guardian said that with "the eloquent saxophonist" Redman, "Mehldau was often able to let his partner's built-in swing release his most whimsical side." The two perform together again for a very festive occasion: the National Christmas Tree Lighting Ceremony in Washington, DC, on December 3, with a PBS broadcast the following night.

Bill Frisell unveiled a new piece with Mike Gibbs and the BBC Symphony Orchestra at the Barbican in London last Friday. The London Jazz Festival performance will be broadcast on BBC Radio 3's Afternoon on 3 today. "Each year, the London Jazz Festival marshals orchestral resources for landmark special events," writes the Financial Times in a five-star review. "This year’s centrepiece was a platform for Bill Frisell." The Guardian gives it four stars, saying "the graceful balance of order and open jamming in Gibbs's orchestral score let most of this unique artist's character glow through."

The latest episode of Studio 360 celebrates the 150th anniversary of Charles Darwin's On the Origin of Species, including word from The Low Anthem's Ben Knox Miller on the origin of the title of the band's Nonesuch debut, Oh My God, Charlie Darwin. The Rough Trade staff puts the album at No. 2 of the year's best, calling it "essential." After the band's show in London last week, Uncut calls it "the year's breakout album," not least for its "supernaturally beautiful title track."

Ry Cooder, Nick Lowe bring "exceptional" show to Brisbane ... Dan Auerbach ends tour in Tennessee ... David Byrne discusses Jung at NY's Rubin Museum ... Carolina Chocolate Drops close tour in South Carolina ... Philip Glass talks Kepler at BAM ... Emmylou Harris, Buddy Miller bring show to Boulder ... Kronos kicks of Adams-curated fest in LA ... Low Anthem, Natalie Merchant cross paths at Crossing Border in Holland ... Brad Mehldau flies solo in Serbia ... Joshua Redman plays Padova ... Sara Watkins joins Infamous Stringdusters in North Carolina ... and more ...

This weekend marks the start of West Coast, Left Coast, the LA Philharmonic festival curated by John Adams, its creative chair. The festival, which celebrates the unique spirit of California's creative renegades, kicks off on Saturday with a special Opening Event titled Eureka!, featuring Kronos Quartet's premiere of a new work by Thomas Newman.

Bill Frisell premieres a new work he co-wrote with Mike Gibbs in a performance at London's Barbican Hall tonight with the BBC Symphony Orchestra, which will be broadcast on BBC Radio 3 on Tuesday. The Financial Times writes of Frisell: "Panoramic and evocative, his cocktail of jazz warmth, country whine and the echoing throb of jukebox rhythm-and-blues conjures images from the underbelly of American life. It is a vision that he never fails to coax from the many ensembles he works with."

Wilco has just completed its tour of Europe that included a London show the Independent called "one of the best gigs of the year, by one of the best bands in the world." The band tours North America in February and March and has now added a number of dates in Japan and Australia starting in April. The Vine says the band was "reliably excellent" when last in Australia, in "that hypnotic, skillful vein of Americana that suggests the band could play pretty much any style of music they want and still be better than most everyone, in any era."

Carolina Chocolate Drops, as announced earlier this week, will release their Nonesuch debut, Genuine Negro Jig, on February 23, 2010. Now comes the announcement of a two-month tour, with dates across the United States, from Atlanta to Boston, and the UK, this January and February, leading up to and following the new album's release date, capped by a set at Schuba's in Chicago.

Natalie Merchant's musical sweep through London concludes with a free performance at the Free Word Centre, with songs from her forthcoming Nonesuch debut, Leave Your Sleep. Natalie was featured on BBC Radio 4's Today earlier this week. Her guest turn at Friday's opening night concert of the London Jazz Festival is available via BBC Radio 3, and BBC Radio Scotland has a preview of songs from the album on Global Gathering.

The Magnetic Fields’ Realism will be released by Nonesuch on January 26, 2010. The follow-up to 2008’s Distortion finds Stephin Merritt drawing inspiration from late 1960s / early 70s orchestral and psychedelic folk for an all-acoustic set. A Nonesuch Store exclusive, now available for pre-order, includes the album on vinyl or CD plus a limited-edition, silk-screened poster signed by Merritt. The band will tour the US in support of the album beginning February 4.